Dts-hd Master Audio Suite Encoder Torrent
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Fully licensed and certified DTS-HD audio encoder plug-in for Apple Compressor 3 only. Produce audio streams for Blu-ray, DVD or CD using a variety of .dtshd, .cpt and .wav encode types, from lossless DTS-HD Master Audio, to lower bit rate DTS Express. The plug-in can also encode DTS-HD High Resolution Audio and DTS Digital Surround at sample rates of 48 kHz and up to 6.1 channels. Comes bundled with SurCode Decoder for DTS-HD for QuickTime.
DTS was founded by Terry Beard, an audio engineer and Caltech graduate. Beard, speaking to a friend of a friend, was able to get in touch with Steven Spielberg to audition a remastering of Spielberg's film Close Encounters of the Third Kind mixed in DTS. Spielberg then selected DTS sound for his next film, Jurassic Park (1993) and with the backing of Universal and its then-parent Matsushita Electric, over 1,000 theatres in the United States adopted the DTS system.[6]
Take note that the Dialog Normalization box is set to -31 dBFS (No Attenuation). This means no dialog normalization will be applied. Also note that the encoder is set to output a .cpt file. If you are performing an HD encode and want lossless audio, change this to a .dtshd file. Otherwise, when the encoding process has finished, change the .cpt extension to .dts.
This encoder [libfdk] is considered to produce output on par or worse at 128kbps to the the nativeFFmpeg AAC encoder but can often produce better sounding audio at identical or lower bitratesand has support for the AAC-HE profiles.
Fully licensed and certified DTS-HD audio encoder plug-in for Apple Compressor 3. Produce audio streams for Blu-ray, DVD or CD using a variety of .dtshd, .cpt and .wav encode types, from lossless DTS-HD Master Audio, to lower bit rate DTS Express. The plug-in can also encode DTS-HD High Resolution Audio and DTS Digital Surround at sample rates of 48 kHz and up to 6.1 channels. Comes bundled with SurCode Decoder for DTS-HD for QuickTime. Platform: Apple Professional Products bundled with Compressor.
A bare-bones Ambisonic encoder which takes input signals (up to 64 channels) and encodes them into Ambisonic signals at specified directions. Essentially, these Ambisonic signals describe a synthetic sound-field, where the spatial resolution of this encoding is determined by the transform order. Several presets have been included for convenience (which allow for 22.x etc. audio to be encoded into 1-7th order Ambisonics, for example). The panning window is also fully mouse driven, and uses an equirectangular respresentation of the sphere to depict the azimuth and elevation angles of each source.
Although the 24/192 to 8 channels is part of the spec of HDMI and BluRay I don't believe that most consumer audio equipment will support it. Most playback equipement I have seen (I don't pretend to be an authority so I may be totally wrong here) will only support mc up to 24/96 however. So the possibility exists and apparently there are even recordings that make use of it. However, for playback I am not exactly sure what you could use. The Oppo even tops out at 24/96 for MC if Im not mistaken and most of these formats that would take advantage of the extra bandwidth would still be limited by the receiver to which it is bitstreaming or passing LPCM. These tend to top out at 2ch 24/192. I think this is true of most popular OS's as well--again could very well be wrong as someone has to work on masters for surround presumably in 24/192...An interesting aside: was reading up on the DVD-A standard recently and though it includes 24/96 for 5.1 it's also true that the standard allows differing resolutions for different speakers! In other words, your towers might be rocking 24/96 but your surrounds might be spunking out at 24/48 to save space. I just read this PDF that Mishka suggested on dolbys site that included the info as I was reading up on proper 5.1 set up with differing standards (SACD, DVD-A, Blu-ray) without compromising too much on either standard. Anyway, I probably didn't really answer your question but my understanding is that for now most receivers and transports are no able to support surround at those settings currently. And even if something like the Oppo did in fact support that, it would likely need to be bitstreamed over HDMI (if you want those sound formats) or at least read by the receiver as LPCM and most receivers just don't go there yet. 24/192 is going to be a stereo thing until newer equipment comes out that will force us to buy that 'one more thing' to play it. I'm sure flac can support it, I believe it goes to 32/384 or whatever that standard is. It also retains whatever encoding you use...for example flac can contain dts, dts-ma, dts-hd ma, ect. which can be bitstreamed to whatever can decode it. More friendly Upnp and DLNA thingamabobs like Playback Media Server will let you stream DTS-HD MSTR files in flac to like an Oppo and will keep the resultant stream in the flac. It's up to the Oppo or your DAC/AVR to decode it. And no bluray audio has yet to take the world by storm, but 2011 saw the first commercial releases of this kind of material. If the music industry does NOT do away with discs, I'd say that blu ray has about the best shot at music format very soon. At the end of 2012 there will be no CDs from the labels. 153554b96e
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