At Risk Patricia Cornwelll
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Win Garano, an Apache nicknamed \"Geronimo\", is working for Monique \"Money\" Lamont in the Boston DA's department. Lamont is running for Governor of Massachusetts using the concept of \"at risk\" to try to gain votes, saying that everyone is at risk from crime but when she becomes governor it is the criminals who will be at risk. To promote her political campaign she re-opens and assigns Garano to a cold case concerning the murder of a 90-year-old woman 35 years previously, demonstrating to voters that she can clear up old crimes as well as new ones.
Garano knows when he is being suckered, is duly offended, and quits - over dinner with Lamont, improbably. Cornwell is superb at procedure, but far too brisk a writer to deliver sexual tension. The best scenes here are between Garano and his psychic grandmother, who signposts all the stages of deduction before the action springs them. Who needs DNA
Scarpetta bounces back after a difficult yearBy Tom WalkerDenver Post Books EditorBLACK NOTICEBy Patricia Cornwell Putnam, $29.95 Read Chapter One August 1 - Sometimes Kay Scarpetta can be hard to take. She's always, we're talking ALWAYS, right. She also is incredibly smart, smarter than me and thee, with legal and medical degrees. She's beautiful, intuitive, opinionated, precise and blunt, and she doesn't suffer fools gladly. She's every chauvinist's nightmare. Through nine of Patricia Cornwell's Kay Scarpetta novels, the good doctor, who is chief medical examiner - coroner - for the Commonwealth of Virginia, has beaten the worst of the bad guys and done it without compromising her own rigid set of morals. She packs a piece in her purse, and her house, in a gated community near Richmond, is famous for its security system and the aromas of gourmet dining. In her 10th Scarpetta novel, \"Black Notice,'' just out from Putnam, Cornwell gives Scarpetta a welcome touch of frailty, and it works. Oh, sure, for the most part, all the Scarpetta trademarks are present. She still runs roughshod over the people close to her, like Pete Marino, the bulky, crude and crass police captain friend from the previous novels. She's all over Lucy, her risk-taking niece, who now works for the Bureau of Alcohol, Tobacco and Firearms after a stint with the FBI. It's not as if Scarpetta lacks compassion. One of the trademarks of the series is her approach to death, and not just for the innocent. Cornwell makes sure Scarpetta shows sensitivity to survivors. She also has Scarpetta upbraid Marino for his own insensitivity or his verbal attacks on gays and lesbians. \"Black Notice'' picks up where last year's \"Point of Origin'' left off. Scarpetta has spent a year mourning the death of Benton Wesley, the FBI profiler who was also her lover. Her friends and associates are worried about her; in fact she, too, is worried. She's still suffering mightily and is barely able to function, which is just not like her. It's near Christmas and her grief is such that she's afraid she's losing control, which for Scarpetta is just absolutely unacceptable. She is shaken out of her doldrums when the call comes in that a body has been found in a huge packing crate at the Richmond harbor. Along with Marino, Scarpetta is on the case. The body is badly decomposed, so identification is impossible, despite the skills of the coroner. The search is on to determine the identity. It is determined that the dead man is linked to a series of savage, apparently unconnected, deaths in Paris and in Scarpet ta's own backyard of Richmond. This sends Scarpetta and Marino scurrying to Paris for a meeting with Interpol where, by the way, the doctor has a passionate onenight stand with an American ATF agent who is attached to Interpol. See a clue here You know that Lucy, Scarpetta's troubled - sometimes whiny - niece is also connected in some way. But wait, there's more. Cornwell introduces a subplot to all the international intrigue. It seems that the beautiful and haughty Deputy Chief Diane Bray is out to get Marino, and perhaps Scarpetta, too. She has busted Marino back to uniform, and if you think he was surly in past novels, wait until you catch him this time. Also, during the year of Scarpetta's lack of attention, her office is falling apart. Phone calls are being rerouted from her to other staff members. Items are missing from people's desks, and an inside job is suspected. Every thing is off center. But wait, there's still more. Lucy is off working undercover in Miami, trying to bust some really nasty drug peddlers along with DEA agent Jo Sanders, who also happens to be Lucy's lover. When a bust goes bad, there is all kinds of emotional hell to pay. In lesser hands, all of this could have grown tedious. Cornwell, however, ties all the loose ends up nicely - as she always does - and what emerges, despite some of the annoying characteristics assigned to Scarpetta, is one of the author's most engaging yarns featuring Scarpetta. Cornwell worked in the chief medical examiner's office in Virginia where she witnessed hundreds of autopsies, and, as usual, she has Scarpetta in the examining room on several occasions performing autopsies and looking for clues into the manner and cause of death. While sometimes unpalatable, the scenes ring true. From the moment she hit the scene with the first Kay Scarpetta novel, \"Postmortem'' (1990), Cornwell had to know she'd found a character that readers would like to read more of. They've all become best sellers. ( \"Postmortem,'' by the way, is the only novel to win the Edgar, Creasey, Anthony and Macavity awards in a single year.) Cornwell keeps churning them out, and the public keeps reading them. She shows no signs of flagging, and Kay Scarpetta may hopefully continue into her dotage with her sharp tongue, stunning intellect and, now, with a touch of humanity, if not humility. The Scarpetta file Here are Patricia Cornwell's Kay Scarpetta novels: - \"Postmortem' (1990) - \"Body of Evidence' (1991) - \"All That Remains' (1992) - \"Cruel & Unusual' (1993) - \"The Body Farm' (1994) - \"From Potter's Field' (1995) - \"Cause of Death' (1996) - \"Unnatural Exposure' (1997) - \"Point of Origin' (1998) - \"Black Notice' (1999)
The truth was, I could not have cared less about Kate's hydrangeas, or Carla's rose trellis, or Maria's high-risk forcing of paperwhite narcissus bulbs. I knew that my friends were capable of devouring a seed catalog as if it were a Danielle Steel page-turner. I was aware that they kept 30-pound oversize books with catchy titles such as \"The English Garden,\" and \"Flowers\" on their coffee tables. And that they actually read them.
And the gratification is delayed, sometimes for months. But when it comes, in the form of lush vines climbing my trellises, roses flowering, ivy beds glowing a waxy dark-green, I get a rush I never got from a brisk walk around the neighborhood and a decaf cappuccino. 153554b96e
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