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The story of Coleridge's closing years is soon told. It is mainly arecord of days spent in meditation and discourse, in which character itwill be treated of more fully in a subsequent chapter. His literaryproductions during the last fourteen years of his life were few innumber, and but one of them of any great importance. In 1821 he hadoffered himself as an occasional contributor to Blackwood'sMagazine, but a series of papers promised by him to that periodicalwere uncompleted, and his only two contributions (in October 1821 andJanuary 1822) are of no particular note. In May 1825 he read a paper onthe Prometheus of 'schylus before the Royal Society of Literature;but \"the series of disquisitions respecting the Egyptian in connectionwith the sacerdotal theology and in contrast with the mysteries ofancient Greece,\" to which this essay had been announced as preparatory,never made their appearance. In the same year, however, he publishedone of the best known of his prose works, his Aids to Reflection.
It appears to me, therefore, on as careful an examination ofthe point as the data admit of, that Coleridge's position in theselatter days of his life has been somewhat mythically exalted by thegeneration which succeeded him. There are, I think, distinct traces ofa Coleridgian legend which has only slowly died out. The actual truth Ibelieve to be that Coleridge's position from 1818 or 1820 till hisdeath, though one of the greatest eminence, was in no sense one of thehighest, or even of any considerable influence. Fame and honour, in thefullest measure, were no doubt his: in that matter, indeed, he was onlyreceiving payment of long-delayed arrears. The poetic school with whichhe was, though not with entire accuracy, associated had outlived itsperiod of contempt and obloquy. In spite of the two quarterlies, theTory review hostile, its Whig rival coldly silent, the public hadrecognised the high imaginative merit of Christabel; and whoknows but that if the first edition of the Lyrical Ballads hadappeared at this date instead of twenty years before, it would haveobtained a certain number of readers even among landsmen [2] But overand above the published works of the poet there were thoseextraordinary personal characteristics to which the fame of his worksof course attracted a far larger share than formerly of popularattention. A remarkable man has more attractive power over the mass ofmankind than the most remarkable of books, and it was because thereport of Coleridge among those who knew him was more stimulating topublic curiosity than even the greatest of his poems, that hiscelebrity in these latter years attained such proportions. Wordsworthsaid that though \"he had seen many men do wonderful things, Coleridgewas the only wonderful man he had ever met,\" and it was not the doer ofwonderful things but the wonderful man that English society in thosedays went out for to see. Seeing would have been enough, but for acertain number there was hearing too, with the report of it for all;and it is not surprising that fame of the marvellous discourser should,in mere virtue of his extraordinary power of improvised speech, hislimitless and untiring mastery of articulate words, have risen to aheight to which writers whose only voice is in their pens can neverhope to attain. 153554b96e
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